2025 is the year I finally feel my "real camera" photography has improved to a point where I'm regularly taking better pictures than my AI-supported, fully automatic cell phone. This is BIG. AI is a moving target. Somewhere out there is a young person in their mom's basement quietly and continuously improving my Samsung smart phone and it's hard to compete with that!
I have been a Canon girl for almost 30 years. Film and digital... and one day, maybe I'll jump to mirrorless. I've never used expensive lenses, rarely paid the price for Canon lenses and haven't tried prime lenses at all. I'm a regular person on a regular budget - but with ample enthusiasm and a willingness to trade more entertaining YouTube matter for more educational YouTube matter.
And I am definitely a work in progress, still enjoying the journey and constantly comparing myself unfavorably to the likes of Nigel Danson, Simon d'Entremont, Andy Parkinson, Steve Perry and Will Goodlet. But, the truth is these guys and many more like them are motivating, teaching and inspiring me. I couldn't be more grateful for their virtual presence in my life and their generosity of spirit in sharing lessons, tips, tricks and sometimes philosophy (I'm particularly drawn to Will Goodlet's gentle connection to the natural world ... poetry...)
If you find yourself reading this, then you should know this post is nothing more than a reminder to self and not a tutorial. I'm jotting down some things that are helpful for me so I can refer back to them. :-)
On my list of vital lessons:
1. Exposure Triangle
For wildlife best to set ISO auto (cap it where you are comfortable after figuring that out) and Manual Mode for time and aperture.
Set camera up before you start driving so it's easy to grab and shoot.

2. Sharpness/Depth of Field
Using a long focal length on a subject fairly close, you need to increase the depth of field (F8+) so the whole face/animal is in focus. If the subject is further way, go for a small DOF and it will be fine. (F5.6)
Fast shutter speed for moving animals. 1/2500 flying birds. 1/1600 mammals.
Aperture wide open = blurred background, separation between subject and background. And lets in more valuable light!
Steve Perry on Sharpness
3. Composition
At each shoot/location/situation have P I E!
P Potrait
I Interaction
E Environment
4. Noise
Camera setting to be explored.
Static subjects can handle low shutter speeds to reduce ISO and therefore noise.
Low light issues can be helped if I choose light background to assist and increase shutter speed as needed. Post processing and plugins like Topaz or DXO can also help later. ISO lower is better... experiment with camera to find the range that works best for you. Consider different type of picture if the light is too low to avoid noise.
Will Goodlet's Noise Advice
5. Stability
Bean bag for setting camera on or weighting down tripod in windy conditions.
Monopod has more flexibility for tracking a fast subject than a tripod but still gives support for weighty lens.
Hand on top of lens to decrease movement/shake.
Use car mount or top of car, consider noodle on the window when you cant get out or use tripod. Turn car off.
6. Burst shots
Wildlife and movement shots by the dozen (high speed, continuous) to try and capture some without "ugly mouth", blinking or just less movement in that split second so the photo is sharper.
AIServo to track animal while finger remains pressed on back button focus. If the small spot focus is not good enough, use a group focus or bigger area to see if that works better.
7. Putting myself out there
Creating opportunities in places, with animals, at times of day and types of weather.
Practice what you are trying to master before you arrive, learn the animals behavior, get familiar with the location. Check the weather - crumby weather is often the best photos!
Andy Parkinson's Animal Portrait tips
8. Being creative
It's good to try new things and try the same subjects in different ways, different angles, different light. Once you get the "insurance shot" try for something less conventional or riskier. Over or under expose, compose uniquely, zoom and out quickly while shooting slowly, move closer to subject, lower camera out of car, filters, etc
Understand what speaks to you and shoot your own style. Seek to capture energy, essence and emotion rather than focusing on a technically proficient image. It doesn't even have to be identifiable to be a beautiful image. Have some fun!
Creative Captures by Sabine Stols
Minimal Aesthetic Portraits by Donal Boyd
9. Learn from failures
Use info attached to files to learn what worked and what didn't. Understand patterns in YOUR behavior, book learn or experiment with ways to improve, make notes and repeat the shoot but do it slightly differently next time! Failure is really important and not a negative thing. Sometimes our failures become our creative shots.
Hey hey... its OK (read: smart, quicker and less heartbreaking) to learn from the failures others are generous and humble enough to share.
Tin Man Lee on Metering for Highlights
10. Post processing
So MUCH to learn... spend time on this with YouTube teachers and at Udemy. What are other people doing in their workflow to improve results or get creative?